{"id":613,"date":"2015-11-06T13:01:17","date_gmt":"2015-11-06T12:01:17","guid":{"rendered":"http:\/\/www.carlosbrenes.com\/?p=613"},"modified":"2016-10-07T11:04:21","modified_gmt":"2016-10-07T09:04:21","slug":"velleda-and-lilies-in-bloom","status":"publish","type":"post","link":"https:\/\/www.carlosbrenes.com\/en\/velleda-and-lilies-in-bloom\/","title":{"rendered":"Velleda and lilies in bloom"},"content":{"rendered":"

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There is a story behind the original lilies in which the painting is based on, 300 years ago, tales of Ise, Chapter 9: A japanese court in exile stops on his trip beside a pond full of lilies in bloom, and he composes a poem that expresses his longing to his wife that he had to leave in the twon.<\/span><\/p>\n

Lilies come into the picture as a group of violins, attacking on the frame, insisting until they cross and reach velleda. Velleda, meanwhile, belongs to a group of ceramics in a context that was a jump back to the classical order of its time; in classic, textures and shadows in the relief were novel; It is an idea that somehow spans the frame and reaches lilies. I wanted to establish a dialogue between the elements, a very poetic living, dying to velleda with the evocative nature of lilies, painting an evolution from the lilies to the poem.<\/span><\/p>\n

Velleda and lilies in bloom.<\/strong><\/em> Acrilic on canvas, 45\u00a0x 47 inches. 2015-2016<\/em><\/p>\n

\"Velleda1280\"<\/a><\/p>\n